Deportes de Combate

Capoeira’s roots spread wide in Philadelphia – WHYY

This story is from The Pulse, a weekly health and science podcast.

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In Philadelphia’s Chinatown, there’s a hole-in-the-wall studio called Project Capoeira that’s hard to walk past without looking in. It’s decorated with bright yellow flowers, ribbons, and a big Brazilian flag hangs from the window. If you come at the right time, you’ll hear it before you see it. 

Inside, there’s a crowd warming up for a Brazilian martial art called capoeira. The all-encompassing sport looks like an acrobatic dance with handstands and somersaults, kicks and spins – all driven by traditional instruments like the atabaque (hand drum), pandeiro (tambourine), and single stringed bow (berimbau). But capoeira isn’t really a dance; it’s practice for a fight. And the goal is to dominate space by driving the other person out of the center of the circle.

The roots of capoeira and its masquerade as a dance go back to 1500s colonial Brazil, a time when hundreds of thousands of Africans were trafficked across the Atlantic by Portuguese settlers and enslaved along with Indigenous people.

“When the slaves came to Brazil with Indians, they just fused together,” said Adenilson Dos Santos, the club director. “We got that gift from Africa – the music and the rhythm,” Dos Santos, or Mestre Doutor as his students call him, brought capoeira to Philadelphia nearly 30 years ago.

By fusing African music with Indigenous acrobatics, capoeira became a way for enslaved people to practice for a fight while not catching the eyes of their oppressors. Over time, this ritual also became a means for preserving identity and spirituality. 

“The music is probably the biggest difference between this martial art and other martial arts,” said student Eduardo Zancanaro. He immigrated to the U.S. from Brazil as a child.

“When I came here, I just felt like I reconnected with my roots. It kind of felt like going somewhere that I’ve been before a long time ago,” Zancanaro said.

Eduardo Zancanaro does a handstand in anticipation of Hannah Wood’s next move. ( Alan Jinich/WHYY)

Even after slavery was abolished in Brazil in 1888, capoeira became criminalized, and the only way of practicing for decades was to do it in secret. It wasn’t until the 1930s that the practice became legal. But even then, police cracked down on capoeira groups because they associated the sport with crime.

“The Brazilian government, especially the militaries, they came in with no warnings, hitting people, running their horses in the middle of the circle. It was really disrespectful,” Dos Santos said.

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Miguel Romero

Sumergido en el río de palabras y pasión, soy Miguel Romero, un Virtuoso de la Escritura Digital que transforma letras en melodías de conocimiento. Mi paso por la Universidad Pablo de Olavide sintonizó mi pluma con la sinfonía del aprendizaje. Como un maestro de las letras, mis escritos se deslizan desde las pistas atléticas hasta los encordados de los deportes de combate, desde las aulas de educación hasta los ecosistemas del medio ambiente y desde los senderos del turismo hasta las maravillas del viaje. Cada palabra es una nota que resuena con autenticidad, tejida con el hilo de la transparencia. Únete a mí en este viaje donde las páginas se convierten en escenarios de emoción, donde la velocidad de los deportes se fusiona con la pasión de la lucha, donde el saber florece en el entorno educativo y donde la naturaleza nos llama a explorar, empaparnos y preservar.

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